Feenish Productions

“Feenish made everything so easy for us… they came back with this fantastic film which caught the spirit of the Bacon Studio and our centenary exhibition perfectly. We have had an amazing response to it and we couldn’t be happier.”
— Dairne O’Sullivan, Public Affairs Manager, Dublin City Gallery, The Hugh Lane

“We commissioned Feenish to shoot and produce three online product and company presentations, and the team at Feenish proved to be an excellent choice. They understood implicitly what we were trying to achieve, as well as having the patience and dedication to get it just right. I would have no hesitation in recommending Feenish as an excellent company to work with, in terms of value for money, efficiency and customer service.”
— David Lawlor, CEO Watermark Coffee Technology

“We hired Feenish to make an instructional and promotional video to help surgeons and business people understand our technology. The result was spectacular, and not only helped us to sell our technology to a Multinational company, but was a terrific training tool for surgeons in understanding how it worked.”
Frank Bonadio, CEO Advanced Surgical Concepts

“An unfussy and outstanding documentary that let the man and the work speak for themselves.”
— John Boland, Irish Independent, reviewing Colman Doyle: Ábhar Máchnaimh

“The Gallery needed an effective visual device based within the Gallery itself that would link with Julian Opie installations in O’Connell Street during our 2008 centenary celebrations. Within days of commissioning, Feenish produced a beautifully shot film that met our requirements exactly. Shot mainly at night it captured the elegance of Opie’s work and the stylish ambience of the newly refurnished O’Connell Street. A major success that cost the Gallery very little in resources and more importantly time.”
— Dairne O’Sullivan, Public Affairs Manager, Dublin City Gallery, The Hugh Lane

“For the best results, watch the documentary twice: the first time to focus on the talk, and the second to lose yourself in the images, as one fascinating photograph after the other flashes on the screen”
— Kevin Sweeney, Irish Times, reviewing Colman Doyle: Ábhar Máchnaimh